Name: Hauksson-Tresch, Nathalie | LIBERTÉ DE CRÉATION LITTÉRAIRE OU VIOLATION DE LA VIE PRIVÉE ? : ASPECTS LITTÉRAIRES ET JURIDIQUES : aspects littéraires et juridiques
Brand: Acta Universitatis Gothoburgensis
SKU: 9789179630409
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Nathalie Hauksson-Tresch : Liberté de création littéraire ou violation de la vie privée ? : aspects littéraires et juridiques

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Nathalie Hauksson-Tresch

Liberté de création littéraire ou violation de la vie privée ? : aspects littéraires et juridiques

aspects littéraires et juridiques

BoklivArtikelnr: 9789179630409

Denna avhandling undersöker konflikten mellan rätten till privatliv och konstnärlig frihet, med fokus på fransk lag och rättsfall.

Utforskar balansen mellan konstnärlig frihet och privatliv.
Diskuterar rättsliga aspekter av litterära verk och verkliga personer.
Utgiven som häftat band, 2022.

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Bindning: Häftat band

Bokförlag: Acta Universitatis Gothoburgensis
Bokserie: Romanica Gothoburgensia

Omfång: 291
Språk: Franska
Utgivningsdatum: 2022-03-22

Förlagets information

This thesis sets out to explore the clash between two rights. On the one hand the right of every person to protect his or her private life and reputation, on the other the right of an artist to create freely. Taking real people and putting them into literary works is not a recent phenomenon, but it is occurring more than ever in modern literature, just as there is a greater propensity to take novelists to court for what they write about real people. Obviously, people do not always appreciate becoming literary heroes, to see their most intimate secrets spread publicly and they themselves becoming the object of idle gossip. That is where the law intervenes, sometimes in favor of the victim, sometimes in favor of the artist, depending on the circumstances. The aim of this thesis is in the first place to proceed with a critical inventory of the current situation, including research into French law as well as court rulings regarding novelists sued by individuals who claim to have been turned into fictional characters. The research material consists therefore of legal decisions as well as of literary works. Fourteen chosen works of literature are discussed in the thesis. However, the main objective and core of the research is to propose new recommendations, inspired in particular by literary theories, which would allow for a better balance between opposing rights. This is all the more important since the French legal system has recently adopted a new law recognizing the specificity of artistic freedom, as compared to freedom of speech. Among the changes proposed is a law stating that a work presented as a novel should be treated as such by a court. Another proposed change is the implementation of the formal right of each person who feels his or her privacy has been encroached upon, to reply to the novelist, in a context provided by the publishing house. The most important improvement would be the possibility for the magistrate to call on an expert in literary and linguistic theories to assist in the case. The function of the expert would be to judge if the text in question contains elements that identify it as a work of fiction, and more importantly, to assess the degree of fictionality and credibility of the character alter ego of the individual claiming to have suffered from the publication. By taking into account literary techniques, and therefore the manner in which an eventual breach in privacy occurs, the courts could then make a fairer and more readily accepted decision, or at least one more in accordance with the rule of proportionality expected in every democracy.

Liberté de création littéraire ou violation de la vie privée ? : aspects littéraires et juridiques av Nathalie Hauksson-Tresch hittar du under Fransk litteraturhistoria inom Litteraturvetenskap i huvudkategorin Humaniora.

Fransk prosa och fiktion Fransk litteratur Juridik och litteratur Privatliv Jaget i litteraturen Etik i litteraturen Law and literature Self in literature Ego (Psychology) in literature Ethics in literature

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Om Liberté de création littéraire ou violation de la vie privée ? : aspects littéraires et juridiques av Nathalie Hauksson-Tresch

Konflikten mellan privatliv och konstnärlig frihet

Denna bok, Liberté de création littéraire ou violation de la vie privée ? : aspects littéraires et juridiques, utforskar konflikten mellan rätten att skydda sitt privatliv och rätten för konstnärer att skapa fritt. Genom att analysera både fransk lag och rättsfall där författare blivit stämda för att ha använt verkliga personer i sina verk, belyser författaren Nathalie Hauksson-Tresch hur dessa rättigheter ofta står i motsats till varandra.

Juridik och litteratur i samverkan

Boken presenterar en kritisk inventering av den nuvarande situationen, inkluderande en analys av juridiska beslut och litterära verk. Hauksson-Tresch diskuterar fjorton utvalda litterära verk och föreslår nya rekommendationer för att uppnå en bättre balans mellan de motstridiga rättigheterna. Detta är särskilt relevant i ljuset av en ny lag i det franska rättssystemet som erkänner konstnärlig frihets specifika ställning.

Om boken

Boken är ett häftat band som omfattar 291 sidor och är skriven på franska. Den utgavs av Acta Universitatis Gothoburgensis den 22 mars 2022. Hauksson-Tresch föreslår bland annat att verk som presenteras som romaner bör behandlas som sådana av domstolar, samt att individer som känner att deras privatliv kränkts ska ha rätt att bemöta författaren i en kontext som tillhandahålls av förlaget.

Exemplarinformation

Bokförlag: Acta Universitatis Gothoburgensis Bokserie: Romanica Gothoburgensia Omfång: 291 Språk: Franska Utgivningsdatum: 2022-03-22 Förlagets information This thesis sets out to explore the clash between two rights. On the one hand the right of every person to protect his or her private life and reputation, on the other the right of an artist to create freely. Taking real people and putting them into literary works is not a recent phenomenon, but it is occurring more than ever in modern literature, just as there is a greater propensity to take novelists to court for what they write about real people. Obviously, people do not always appreciate becoming literary heroes, to see their most intimate secrets spread publicly and they themselves becoming the object of idle gossip. That is where the law intervenes, sometimes in favor of the victim, sometimes in favor of the artist, depending on the circumstances. The aim of this thesis is in the first place to proceed with a critical inventory of the current situation, including research into French law as well as court rulings regarding novelists sued by individuals who claim to have been turned into fictional characters. The research material consists therefore of legal decisions as well as of literary works. Fourteen chosen works of literature are discussed in the thesis. However, the main objective and core of the research is to propose new recommendations, inspired in particular by literary theories, which would allow for a better balance between opposing rights. This is all the more important since the French legal system has recently adopted a new law recognizing the specificity of artistic freedom, as compared to freedom of speech. Among the changes proposed is a law stating that a work presented as a novel should be treated as such by a court. Another proposed change is the implementation of the formal right of each person who feels his or her privacy has been encroached upon, to reply to the novelist, in a context provided by the publishing house. The most important improvement would be the possibility for the magistrate to call on an expert in literary and linguistic theories to assist in the case. The function of the expert would be to judge if the text in question contains elements that identify it as a work of fiction, and more importantly, to assess the degree of fictionality and credibility of the character alter ego of the individual claiming to have suffered from the publication. By taking into account literary techniques, and therefore the manner in which an eventual breach in privacy occurs, the courts could then make a fairer and more readily accepted decision, or at least one more in accordance with the rule of proportionality expected in every democracy.

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