David N.G. McCallum


Glitching the Fabric : strategies of new media art applied to the codes of knitting and weaving

strategies of new media art applied to the codes of knitting and weaving

McCallum, David N.G. | GLITCHING THE FABRIC : STRATEGIES OF NEW MEDIA ART APPLIED TO THE CODES OF KNITTING AND WEAVING : strategies of new media art applied to the codes of knitting and weaving


BoklivArtikelnr: 9789178331390

Denna forskning utforskar kreativa möjligheter genom att tillämpa strategier från digital media och glitch art på textila processer som vävning och stickning.

  • Glitching the fabric utforskar glitch art i textilier.

  • Innovativa strategier från digital media till vävning och stickning.

  • I häftad utgåva, tryckt 2018.

Typ av bok:
Ny
Pris:
REA-pris429 kr

Beställningsvara. Skickas inom 3-21 vardagar.

Bindning: Häftat band

Bokförlag: ArtMonitor
ISBN: 9789178331390
Bokserie: Artmonitor avhandling

Språk: Engelska
Utgivningsdatum: 2018-09-26

Förlagets information

The purpose of the research has been to explore the creative possibilities in applying strategies derived from the domain of digital media and glitch art to a range of processes in the domain of textiles—specifically weaving, knitting, bobbin lace—with particular attention to the role of notations and coding in both domains. The enquiry presented in this dissertation is based upon the proposition that there are creative possibilities that arise when approaches and strategies from new-media and glitch art are transferred to some textile processes, and that this is possible because objects of new media and textile objects share features not limited to the grid. The research focuses on strategies from digital media and glitch art in the domain of computing and applies these strategies directly to the code and structures in the domain of textiles. The textile objects share some features of new-media objects: formal representations (making them subject to algorithmic manipulation), a separation of content and interface, objects can be easily scaled, and they are open for hacking, which is a repurposing of the code. Strategies employed in this research include developing algorithms to generate structures and behaviour, deliberately inserting error into autonomous systems and exploring the aesthetic spaces generated by the error systems, exploring the manipulation of coded objects, understanding aesthetic spaces generated by algorithms as navigable spaces. In this research, these transfers have been tested and conducted through an applied process, creating artefacts of the artistic process, such as artworks, tools for creating artworks, and trial pieces to test techniques and strategies. These artefacts have been produced within the digital domain and the textile domain. The practical works realised in this way demonstrate the viability and the generative potentials for artistic and design practice that this transfer of strategies between domains yields. The work presented in this dissertation is thus an initial set of experiments laying the groundwork for future explorations employing this transfer of strategies, based on innovative cross-relations and exchange between the domain of computing and the domain of textile production.


Glitching the Fabric : strategies of new media art applied to the codes of knitting and weaving av David N.G. McCallum hittar du under Textilkonst inom Konsthantverk | Antikviteter i huvudkategorin Humaniora.

Hitta fler liknande böcker med dessa ämnesord:
glitch art new media art weaving knitting textile design artistic research Konsthantverk Textil konst Textilkonst och design Vävning Stickning Digital konst Programmering Digital art Computer programming Textile crafts

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Vanliga frågor om Glitching the Fabric : strategies of new media art applied to the codes of knitting and weaving av David N.G. McCallum

Boken utforskar kreativa strategier inom textil och digital konst, med fokus på att tillämpa glitch art och digitala metoder på textila processer som vävning och stickning.

Boken riktar sig till konstnärer, designers och forskare intresserade av att kombinera textil och digital konst, samt de som studerar nya medier och glitch art.

Det antikvariska exemplaret är häftat, publicerades av ArtMonitor den 26 september 2018 och är skrivet på engelska.

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